KLP unveils her upcoming EP “Alter” via first single “Symphony” + Exclusive Interview

Out Now – Get it HERE | Full EP coming in June on Medium Rare Recordings

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Sydneysider DJ/producer/songwriter/vocalist KLP (aka Kristy Lee Peters) explodes from the Down Under ground to bring some serious Southern heat with her upcoming EP Alter, via uplifting catchy – as – hell first single “Symphony”.

One of Australia’s most in demand songwriters/vocalists, trailing platinum records, ARIA Music Award noms aplenty, not to mention a guarantee of “big house energy and sweaty dancefloors”, KLP has already made assaults on the Northern Hemisphere, landing cuts with Skrillex, Sonny Fodera, Marten Horger, Peking Duk, and through collabs with fellow-Aussie breakthrough artists like Loods, plus releases on Higher Ground, Ministry of Sound, MicoHertz, Ultra, and Warner Music as well as Sydney-based Medium Rare Recordings.

“Symphony”: an honest-to-wickedness, takes no prisoners club-busting cut with high energy house beat, demanding drums and muscular bass, bodyguarding choppy piano chord melody with a joyful touch of the 90s, fast synth arps and a layered, laid back vocal that draws you right in. Dance frenzy guaranteed.

EP Alter has four other killers on board, hyperspeed pitch-shifted “Never Let Me Down”, grand synth chords with distorted hypnotic vocal on “Vitamin”, and more piano chord madness and plucky percussion on “Come Thru”, three frantic dance cuts with a flavour of the days when no jam went un-pumped-up, while “I Know” is still rampant but with a slower, very sensual vocal and lyrics.

“Symphony” is out now on Medium Rare Recordings. Get it here:
https://mediumrare.lnk.to/symphony

For more information about KLP, go to:
Spotify | SoundCloud | Instagram | TikTok

Get ready to groove to her latest single as we dive into an engaging conversation with a rising star from Australia. Don’t forget to give her a follow on Instagram – her vibrant life and insightful conversations like these are what keep this blog going strong. It’s been a blast, and I’m thrilled to introduce you to the talented KLP.

I make music and f*ck with vocals.

Your middle name is Lee. Hey, mine, too. This interview was meant to be! Thank you for being here, Kristy. Your new single “Symphony” is out now. Tell me more about that release.
What a middle name! It’s the first track off an EP on the way soon. I had the idea floating around on my computer for a while but didn’t quite know where to take it. In the end it was a collaboration with two musical mates [fellow Aussies] Dave Winnel and Loods – both adding the missing pieces to bring it all together.

You are based in Sydney. What is the dance music scene like there? By the way, we are headed Down Under in a few months. Anything you’d recommend we see while in town?
To be honest, the dance music scene has been through some rough times over the last few years. There were some crazy lock out laws that really killed the nightlife and meant over half of the venues in NSW had to close – and then following that of course COVID did even more damage. Somehow, we made it through and I do feel like it’s slowly coming back from a dark place. There are some amazing weekly club nights going on now and it’s exciting to see people going out and taking chances on music again.

The single cover is fantastic! Could you share the inspiration behind its design and the name of the designer?
Yes it’s Connor Dewhurst! You can find him @imnotverychill on Instagram. I’ve been working with him for my last few releases and I feel like he always manages to find a way to figure what on earth I am talking about when I’m trying to explain my random visual ideas. I’m much better at speaking “music” as opposed to visuals but he gets me.

Are you planning a tour to promote the release? I’m eager to catch you perform if you happen to tour in the US.
I would LOVE LOVE LOVE to come and play some shows in the US. It’s right on top of my list. I’m really hoping this EP will connect and then I’ll be on the first plane over there ready to go.

What’s your approach to songwriting? Do you typically sit down with a yellow pad, or do lyrics often come to you spontaneously, perhaps in the dead of night?
It’s so different every time. A lot of my music is vocal lead so it often starts with a lyric, melody or voice note even, and then I create the beat around that. Other times I’ll be messing around with samples and then have to find space and meaning for a vocal to be laced in over the top.

You’ve had the opportunity to collaborate with several record labels such as Higher Ground, Ministry of Sound, Ultra, Warner Music, and Sydney-based Medium Rare Recordings. How would you describe your experience working with such a diverse range of labels?
I’ve been so lucky recently to have the opportunity to start to release on a multitude of labels – but I feel like I’m really only just getting started in that space. It’s interesting seeing how different teams work, their pace, their business manner etc.

You’ve been releasing numerous singles lately. Why did you decide now to put together an EP?
I really wanted to make a solid effort to showcase where my music was it. I’ve dabbled in many styles over the years, especially as a singer or songwriter and I feel like at times that’s been confusing for people to really be able to understand who I am as a solo artist. Having a body of work via the EP is my way of really solidifying where I am now.

The ARIA Music Awards celebrate music released by members of ARIA, the Australian Record Industry Association, and you’ve garnered multiple nominations. As an artist, what does this recognition mean for you?
I’m a huge lover of all things Australian music so to be recognized for my musical contributions alongside so many other incredible artists is pretty special. I love dressing up and celebrating Aussie music every year at the awards, even if I’m not nominated – it’s always a huge vibe.

You’ve collaborated with notable figures like Skrillex, Marten Horger, and Peking Duk. Are you actively seeking collaborations, or do they typically approach you for partnership opportunities?
It’s a little bit of both. Actively seeking them but also being in the right place at the right time and also being able to deliver on those opportunities.

What music do you enjoy listening to when you’re not busy working on your next banger?
To be honest, I love listening to super chilled music. The other day my friend sent me a jazz house playlist for when I’m traveling and floating through airports and it was such a good soundtrack for flying and traveling around.

It seems like every DJ has a podcast. Have you thought about starting your own show? You know I’d subscribe!
(Laughs.) I have to say I have thought about it… But for now I’m trying to stay really focused on what I put my time into and I am so musically charged with ideas at the moment for making music, I need to get those out into the world first. Never say never though.

What kind of headphones do you have around your neck? Do you use different ones during live performances compared to when you’re in the studio?
For DJ sets I have Sennheiser HD 25 headphones, and in the studio I have some Beyerdynamic BT 700s.

As an avid traveler, I have to ask, obviously being on tour takes you to all corners of the earth but when you are on tour do you take time to explore the towns or is it in and out?
It’s fairly in and out – but I always try find the best gym and the best coffee!

When it comes to your live performances, what should fans anticipate? Do you stick to the same set list every night, or do you adjust it based on the atmosphere and energy of each show?
Never the same set list. I have my fav tracks of the moment, but then I’m just reading the room and trying to decode that secret balance of what the crowd needs to be in the best place.

You were the host and presenter on Triple J’s House Party program from the years 2015 to 2018. Tell me more about that project and your experience working with that radio station.
It was such an amazing experience to work for the National Youth Station here in Aus. I was making 3 DJ mixes a week so my mix making skills in Ableton went through the roof! I presented the show live every week so had people calling and texting in and it honestly was such a good period of my life. I learnt so much.

You currently have 2.1K subscribers on YouTube. What strategies do you have in place for expanding your presence on YouTube and other social media platforms? By the way, your Instagram game is on point! You’re truly living your best life!
(Laughs.) I don’t! Thanks for the reminder, I really need to focus on that more. But thank you on the Instagram compliment. I feel like Instagram comes so naturally to me but I do wish I had the creative energy to tackle other platforms a little more regularly.

What is Diver City, how did you meet Matt Okine, and how did this project come into fruition?
During COVID, both my friend Matt Okine, whom I met through Triple J, and I had babies, just 5 days apart! We were in some pretty strict lock downs here in Australia so neither of us could do our usual work, so we decided to write a kids album. We have written 2 now, and both were nominated for ARIA Music Awards so it turned out to be a rather productive way to spend a pandemic lock down.

What’s next for KLP? What are your goals and aspirations for your music career, and what can fans anticipate from you in the coming months or years?
2 main focuses; make more music, and play shows overseas.

Thanks for doing this. It was a pleasure meeting you and gaining insights into your journey. In all the interviews I do, I always give the artist the last word. Go.
Work Hard, Play Hard.

Thank you so much for the interview. xx