Producer, Post-Sound Engineer • Guitarist • LA-Native • Co-Founder, AHC Studios • Blah Blah Blah
When I walked into Spin Nightclub in San Diego for Kyau & Albert’s All In Good Time Tour, I had no idea I’d leave as a fan of a new artist. But there he was—Chris Giuliano, rocking a blue Los Angeles Dodgers hat, dancing with infectious energy, and setting the perfect vibe for the night. As he commanded the decks, the crowd couldn’t help but move, feeding off his enthusiasm. By the time Kyau & Albert took the stage, Chris had the entire room perfectly dialed in and ready.
I hadn’t heard of Chris before that night, but by the end of his set, I was hooked. So much so that I messaged him on Instagram during his performance, eager to learn more about the man behind the music. To my delight, he responded, and before I knew it, we were chatting about his journey, his influences, and what drives him as an artist. Within days, we’d arranged this interview to dive deeper into his world.
Chris Giuliano is a rising star in the electronic music scene, and it’s easy to see why. His passion for music, both as a producer and performer, is palpable. Whether it’s opening for legends like Kyau & Albert or working on new tracks, Chris exudes a genuine love for his craft that’s hard to ignore. This conversation was a blast, and I’m thrilled to share it with you.
Without further ado, here’s Chris Giuliano—an artist you’ll definitely want to keep on your radar.
Chris, thanks so much for doing this! I caught your set in San Diego when you opened up for Kyau & Albert—what a fantastic performance! I was bouncing around the whole time. I’m curious, how did that opportunity come about, and what was your experience like being up there on stage?
Thanks so much! It was a blast; the vibes were high. A buddy through music, Erik, and his promotion company reached out to do the show. It was my first time playing at Spin, and while the club is smaller and more intimate, it’s always a huge treat and amazing experience playing on stage for people to let loose, dance, and have fun.
As someone who’s grown up in LA and risen in the global electronic music scene, how has the city’s culture influenced your music and career path?
LA is home. It’s one of the most diverse cities in the world and one of the most iconic hubs for music and culture. The energy here is unmatched—it’s a melting pot of different styles, genres, and influences, which makes it such a special place for anyone in the creative space. Growing up in the music scene in the 90s and 2000s was an unforgettable experience. Looking back, I realize just how much it shaped not only my style but also my overall approach to music.
Being surrounded by the evolution of different sounds during that era, whether it was alternative rock, hip-hop, electronic, or pop taught me the value of blending genres and pushing boundaries. I also grew up playing guitar, which was a cornerstone for my development as a musician. It helped me train my ear early on, diving deep into the fundamentals of scales, melodies, and harmonies. That hands-on experience gave me a strong foundation to experiment and create, and it’s something that continues to influence the music I make today.
Los Angeles is home to some legendary nightclubs that are central to the electronic music scene. What are some of your favorite spots to play or even just to experience as a fan? Are there any iconic clubs around LA—or even internationally—that you haven’t performed at yet but would love to check off your bucket list?
I’ve had the honor and pleasure of playing at some of my favorite clubs here in LA, like Academy, Exchange LA, and the AVALON Hollywood. Great spots with legit productions and solid crowds. One of the clubs here that I have yet to play at that I’d absolutely love to is Sound Nightclub, a staple in the house and techno scene. LA is also home to some of the best and most vibrant underground scenes, which I’ve had the pleasure of attending and playing at. Downtown LA warehouse vibes are unmatched.
Your hit single “Gravity” was recently featured on ABGT564—how exciting! Did Above & Beyond reach out to let you know ahead of time, or was it a surprise to hear it played on the show?
So this is a remix I did for another LA producer buddy of mine, 28mm. Loved the original and the vocals on it by Mars Atlas so it was a blast to remix. When new songs come out, one of the goals is to get radio play to help promote the music, so we’ll send Anjunabeats the music in the hopes that they like it and want to play it on their shows. Usually, we’ll know ahead of time by a few days, but even so, it feels like a surprise anyways since it’s such a treat.
You recently collaborated with Taber on “All Again,” now out on Armind. I’d love to hear more about that track! What was your experience like working with Taber, and how does it feel to release a single on a label founded by Armin van Buuren?
I collaborated with my two close friends, Taber and Behr, on this song. They do vocals and lyrics and I produce the music. We’ve actually got quite a bit of new music unreleased that we’ve worked on together; I’m super stoked to hopefully get it out to the world soon. The lovely, creative impetus and value I find is that Taber and Behr don’t come from a dance music background at all. They don’t listen too much to dance music as well. They come from a folk, soul, and alternative rock background, which I appreciate and believe helps the music shape up to be outstanding and unique. Releasing on Armin’s hand-picked label is extremely rewarding and is nothing short of a massive honor. Obviously the guys a GOAT and a living legend, so being involved in his brand, label, and legacy is amazing.
Your music spans a range of genres and has been released on some of the industry’s most respected labels. What was the turning point in your career that led to such widespread recognition?
I always write from a music-first standpoint and never try to stay confined in a rigid genre-focus, which I enjoy. I think one of the most impactful turning points for me was writing and releasing one of my older popular songs, “Dream You.” I was lucky enough to have Tony McGuinness pick it as ABGT’s Record of the Week one episode, and he also played the track live on tour. That was a huge milestone for me personally, and it helped paved the way to finally releasing with Anjunabeats after that.
Many of your tracks have been championed by global artists and featured in major festivals like EDC and Miami Music Week. How does it feel to see your work resonate with audiences on such a massive scale?
It’s insanely rewarding and special to have my music played out live for people to enjoy. Having people listen to the music, enjoy, dance, let go, and feel something is really what it’s all about. When artists I admire champion my tracks, or when I hear my work being played at iconic festivals, it’s both humbling and exhilarating. For me, that connection is everything; watching the energy and joy in the crowd is what keeps me inspired to create and push my sound further.
With a background as both a producer and sound engineer, how do you approach the technical side of music production differently than a typical producer might?
Possibly a double-edged sword, it gives me a valuable perspective on the technical side of production. It allows me to visualize how the final output of the song will sound from the beginning, which can influence the way I write and design sounds. I’m always thinking ahead—about the mix, the clarity of each element, and how the track will translate across different systems, whether it’s a club sound system, headphones, or a festival stage. This technical understanding can be a blessing because it allows me to create with precision and intention. It can also be challenging, as I sometimes have to remind myself not to overthink the details during the creative process.
With so many genres out there, I’m curious—when you’re not working on your next track, what or who do you enjoy listening to? Do you explore other genres outside of dance music for inspiration, and if so, which ones influence you the most?
I love listening to dance music across the genre spectrum. I’m big on drum & bass and older dubstep. I’m also always listening to reggae, rock, jazz, and other genres. It gives me inspiration in my own music, but it’s also just music I’ve always liked since I was a kid.
Your sets are known for their high energy and versatility. How do you approach crafting a live set to ensure it’s a memorable experience for your audience?
I’m always approaching my sets as a journey through energy and style. Always thinking about how to make it a cohesive story in sounds. And of course taking into consideration the context of the set, for example time of day, setting, club or festival, slot time, etc. All the outside factors will help determine what comes out in the set, but always crafting that sonic journey.
Landing on Spotify Editorial Playlists and top charts on platforms like Beatport and iTunes is a major accomplishment. How has this exposure impacted your career and opportunities?
It’s a reward and an important stepping stone in the journey of any producer or artist to be included in these big, quality-driven bodies of music. It’s a testament to the time and passion poured into creating music that resonates with people. This kind of exposure helps to amplify the reach of my music and bring a level of validation from labels, tastemakers, and key industry players. It motivates me to keep evolving and pushing my sound forward.
You create custom music for a variety of multimedia content, from podcasts to commercials. How does your creative approach differ when producing music for these platforms compared to your own tracks?
This type of producing is wildly different than what I consider real songwriting for radio or shows. It’s much more focused around the content, story, and brand. It’s a lot quicker and sometimes more freeform. It’s fun and challenging.
You’ve co-founded AHC Studios and also work as an in-house engineer for Northern Haus Studios and Immersed Recordings. How do these different environments inspire your work, and what have been some of your favorite projects so far?
It’s great to service others and helping to enhance final products. It inspires me on a more mission-driven level to do so rather than a music-writing level. Some of my favorite projects have been a commercial on ESPN for the app, TennisPAL, and doing foley for an intro scene of a music video for a Bay Area rapper.
With so many artists seeking your feedback and production lessons, what are some common areas where you see producers needing the most improvement, and how do you help them elevate their sound?
Personally, I see a lot of artists struggle with sound design and mixing. It can turn a good idea into a bad product unfortunately. I’ll try to teach them the technical processes of writing and mixing music to make their sounds more cohesive and put-together.
What advice would you give to emerging producers who aim to break into respected labels and gain support from established artists in the electronic music scene?
Stay consistent. Don’t freak out if they don’t listen or sign your music. Keep going. Keep producing and working on improving with every session. Train your ears and your brain to be in sync. Be positive. There’s a lot of rejection and pickiness involved in the process that you may feel dejected about, but it’s all part of the process. Keep improving and moving forward. Don’t annoy these labels either. Be polite and interpret their communication without bugging them.
Where’s the best place for people to follow you, keep up with your upcoming shows, and get more info? Do you have a newsletter or any way we can stay in the loop on your latest projects?
Always happy to stay connected! My Instagram may be the best place to stay connected and up to date.
Thanks for taking the time, man—this was a blast! I like to end my interviews by giving the artist the last word. The floor is yours!
Happy to chat and talk shop! The last thing I’d want to say is just a huge thank you to everyone out there who supports me, follows my journey, and listens to my music. It truly means a lot. Knowing that my music connects with people and becomes a part of their days is what keeps me inspired and motivated to create. I wouldn’t be here without their support, and I’m super grateful for every stream, share, and message I’ve received. I’m super excited to share what I’ve got cooking.
For more information about Chris Giuliano, go to:
Website | Instagram | Spotify | Apple Music | X
