Image Credit: Isabel Padilla
RELEASE DATE: January 23, 2026
LABEL: IMMORTALITY
WATCH: I’MMORTAL – “Floor Siren”
STREAM/DOWNLOAD: I’MMORTAL – “Floor Siren”
“The track arrives alongside a striking video directed by Kaiuna O, blending pole and floorwork choreography with gritty, surreal textures that echo I’MMORTAL’s dark, visceral aesthetic.” – Electronic Groove
“As she carves her unique lane in the music landscape, this release showcases I’MMORTAL’s growth as both a storyteller and a sonic innovator, ensuring that her work continues to inspire and provoke thought in equal measure.” – NOTION
“As she constructs an other-worldly space for her music to reside, I’MMORTAL carves her own, distinctive lane.” – CLASH Magazine
“Showcasing a penchant for a fusion of otherworldly visuals and genre-bending musicality spanning orchestral, theatrical, and EDM, I’MMORTAL is a powerhouse act that makes us excited with each new release.” – EARMILK
“I’MMORTAL’s distinctive sound and vibe are truly unique in their delivery. Directed by the talented PXKRW, the video features I’MMORTAL as a transcendent deity in a series of haunting, cinematic scenes that perfectly reflect her enigmatic character and sound.” – Wonderland Magazine
“‘KILLED U IN A DREAM’ is an impressive feat that eschews pop conventions to create an immersive experience that leaves us confused and intrigued in the best possible way.” – METAL Magazine
New York and London-based dance-pop powerhouse, visual artist, producer, and creative director I’MMORTAL returns with a bewitching new music video for her latest track, “Floor Siren,” released January 23, 2026 via IMMORTALITY. The ethereal video premiered on acclaimed tastemaker Electronic Groove. I’MMORTAL launched herself into the digital sphere in August 2023 with the release of her debut tech-house single, “Versace Spaceship,” and has since released a successful string of singles that have amassed over half a million streams on Spotify alone and been praised by tastemaker publications such as DJ Mag Spain, YourEDM, CLASH Magazine, NOTION, KALTBLUT Magazine, EARMILK, METAL Magazine, and Wonderland Magazine. Additionally, her eerie single “KILLED U IN A DREAM” has been remixed by both biskuwi and Droid Bishop, while her glitchy track “Uncanny Valley” received a darksynth rework from Das Mörtal, which received support from the esteemed NPR Music.
Hailing from California, I’MMORTAL spent her childhood and teenage years playing violin in orchestras, unknowingly developing composition skills crucial for her current music production. With a theater background, she discovered her love for singing during high school musicals. Despite a fondness for classical music, she’s an avid listener of EDM, drawn to its gritty basslines and synthetic production. I’MMORTAL’s audio-visual synesthesia makes fusing otherworldly visuals to her imaginative beats only come naturally to her. Her campy visual work often encompasses themes of death and rebirth, the natural world versus artificial constructs, femininity, and her AAPI identity. With a sound influenced by Sevdaliza, Britney Spears, Lady Gaga, Lana Del Rey, Björk and SOPHIE (to name but a few, I’MMORTAL’s sound is sure to ensnare fans of the aforementioned avant-pop luminaries as well those of grittier dance-pop contemporaries such as Cobrah, Coucou Chloe, and Shygirl.
“Floor Siren” is a jolt of rave-ready energy following the slow-burn, eerie glitchiness of her previous few singles. Restless acid elements circle a high-BPM four-on-the-floor as I’MMORTAL chants softly and seductively, conjuring an anthem for feminine sensuality that is liberating, invigorating, and empowering. The accompanying video, directed by Kaiuna O, a multi-medium artist whose mastery of movement breathes life into every frame. Their choreography sees I’MMORTAL intertwine pole and floorwork dance with visions of grime and club grit. This evocative piece captures the shadowed, grotesque depths of I’MMORTAL’s artistry while gracefully unveiling a fresh, feminine dimension.
Speaking on the track, I’MMORTAL shared: “‘Floor Siren’ is named after the first floorwork dancing class I took that got me addicted to dancing. It’s a fun clubby pop song that I hope makes listeners want to dance like the fiercest supernatural siren in the club! I found a new love for acid sounds that will be carried over into my next tracks. I also really had to put on my pop diva hat to write a super up-beat and untamed second verse. I hope I can carry this energy into my future tracks.”
For more information about I’MMORTAL, go to:
Instagram| Facebook | SoundCloud | YouTube | Spotify
A few months ago, up-and-comer I’MMORTAL shared “KILLED U IN A DREAM” along with a biskuwi remix video. I kept close tabs on her after that, and she has been busy releasing several more videos since.
When she dropped “Floor Siren,” I reached out for another chance to pick her brain and reconnect. She has been busy creating new music, but anytime I get the opportunity to revisit an artist like this, I take it.
In this short interview, we caught up on how her sound has evolved over the past few months, what 2026 has in store for her, and where she sees her next release coming from.
I’MMORTAL is getting a lot of well-deserved visibility, and I am pumped to see where she takes her sound and dance moves from here.
Turn on “Floor Siren” and get reacquainted with this rising talent. It is my pleasure to reintroduce you to I’MMORTAL.
It’s been about seven months since we last spoke, and you’ve released such an electrifying new track with “Floor Siren.” When you look at where you were creatively then versus now, what feels most different about your headspace?
I feel more unapologetic about my work! Pole dancing, performance art, and making a fierce pop song has made me more fearless creatively. I made 4 videos last year as well, and I feel way more confident at executing crazy videos under pressure.
After everything that’s happened over the past few months, how does it feel to be reconnecting around a release that feels so bold and energized?
It feels like a reflection of my inner self. I feel bold and energized this year, and this release was a big part of it!
“Floor Siren” arrives with an unrelenting, rave-ready pulse that contrasts with the eerie tension of your recent releases. What emotions or instincts were driving you while writing this track? Beyond being a club record, the song feels almost like a declaration of confidence and embodiment. Was there something specific you wanted listeners to feel or claim when they hear it?
I wanted to make a ravey pop track that felt fierce and feminine. I hope listeners can feel unapologetically bold on the dance floor!
Movement plays a central role in this release. How did floorwork and pole dancing influence the way you approached the music itself, not just the visuals?
“Floor Siren” is named after the first floorwork class I took. Dancing has taught me to be more in my body and less in my head. When it comes to music, it’s taught me to be more intuitive and to let the creativity flow instead of forcing my way through a track that doesn’t want to be written.
Your collaboration with Kaiuna O brings movement and atmosphere together in a powerful way. How did that creative partnership influence the final video for “Floor Siren”?
Kaiuna O is also an interdisciplinary artist. We had been friends since we were 18, and have always connected over being multi-medium artists. They just really understand my artistry, and really brought a balance between beauty and grotesque. They are a talented movement artist, and we spent many rehearsals shotlisting at the pole studio! It was such an immersive experience, and I am so lucky we speak the same language.
Dance often communicates what words can’t. What did working so physically with this project allow you to express that felt new or different for you?
Dance helped me to fully express the feminine power I was trying to infuse into the track. I think the physical performance aspect of dance just allows me to really claim the power of the track.
Your visuals have always leaned into dark, gritty, and surreal territory, but this release also feels celebratory in its own way. How do you balance edge and empowerment in your aesthetic?
It was definitely a team effort between the makeup, styling, cinematography, and movement. For example, I think the special effects makeup Nina Carelli did on me (the prosthetic cheek gills) was just on the line of grotesque and beautiful. The movements were very creatur-esque, but were still sensual. The cinematography felt slimy and gritty, but it didn’t cross into the horror territory I think my previous video lived in. It’s definitely about knowing where the line is, and playing with where that line exists without ever fully crossing it.
You’ve worked closely with photographer Isabel Padilla on this era. What does she bring to your visual world, and how has that collaboration helped define the look of “Floor Siren”? If you had to describe the current I’MMORTAL visual and sonic vibe in a single image or feeling, what would it be?
Isabel is just such a talented photographer and cinematographer who lives in the same visual world I do. She also loves to balance the dark and the gritty with the ethereal and the beautiful. I think we just click in our communication and personalities as well. There were so many spontaneous moments on set where she would find something eye-catching that we didn’t plan for, and we would just decide to shoot it.
I would describe the current I’MMORTAL visual and sonic vibe as a snake constantly slithering out of its own skin.
Coming from a background in orchestral music and theater, how do you hear those influences surfacing in your work today, even when you’re making high-energy dance music?
I will always be a theater kid. I think my theatrical background comes out in my videos because I gravitate toward world building. Not only did I spend most of my high school years in the theater, I spent a year in University in a program that allowed me to learn theater production (set design, writing, directing, costumes, etc.) and I think this shaped me to approach both my videos and music from a world-building perspective. I am always asking myself what the world of the song or video is. Every aspect has to feel cohesive to the fantastical realm the team is trying to build! My orchestral background also comes into play because I feel very aware of the arrangement side of the track or video. Sounds or visuals need to flow in and out of the project in a way that makes sense just like how different sections of the orchestra come in and out with intention and purpose.
Recently, I’ve been doing some live performances, and my theatrical background really came through. I’ve spent a long time being confused about what kind of live performer I am. I’m not really a DJ, but I’m not a guitar/mic type of performer either. I’ve actually been doing some weird burlesque performances to my own tracks with immersive set-design elements. It’s really been nostalgic to my theater days!
Themes like femininity, transformation, and identity consistently appear in your work. How have those ideas evolved for you since we last talked?
Those themes have evolved as I have evolved as an artist. I think I feel more unapologetic about my artistry, and I’ve let go of trying to fit into one specific “scene” or artistic medium. I’ve embraced being an interdisciplinary artist, and that has allowed me to infuse these themes into all artistic mediums I use.
Since our last interview, was there a moment where you felt a noticeable shift in your confidence or creative direction?
I think the noticeable shift for me was when I started doing dance and burlesque/performances. I believe any performance art is inherently about being confident in who you are. You can have the most stunning choreography, makeup, and costumes, but if you are not confident, it will definitely show in the performance. Dance and burlesque taught me to just be confident, and this confidence seeped into the rest of my work.
The response to “Floor Siren” has been overwhelmingly positive, with praise from outlets like Electronic Groove, NOTION, CLASH, and EARMILK. How does it feel to see this level of recognition around the single?
I feel very supported and grateful for the positive feedback!
When you read descriptions of your work that highlight innovation and power, do they validate what you already feel internally, or do they push you to step into that space even more?
I definitely feel more validated and empowered to step into that space even more. I feel more confident to work with artists of different artistic backgrounds as well. I really can’t wait to bring forth my next project.
You’ve mentioned developing a new love for acid sounds. How does that discovery influence what you’re currently working on?
Absolutely. My next project will have lots of acid sounds!
Looking ahead, what excites you most about the direction your music is heading after “Floor Siren”?
I am excited by the versatility that is coming. I don’t feel like I need to fit into a specific genre or niche.
Thanks again for doing this. In all of the interviews I do, I always give the artist the last word. Go.
DANCE!!!
