As a house music enthusiast, discovering tracks that capture the essence of summer is always exciting, and Yves Larock’s latest single, “Another Day,” released on May 31st, does just that. Yves first caught my ear in 2005 with “Zookey” and solidified his place in my playlist with the 2007 hit “Rise Up.” His dynamic productions and electrifying DJ sets have made him a staple in the house music scene.
After focusing on behind-the-scenes projects and his label, Millia Records, Yves is back with “Another Day,” blending his signature style with fresh elements. I had the privilege of interviewing Yves to explore the inspiration behind this new track, his music journey, and what fans can expect next. Join me in uncovering the story behind his latest hit. I am thrilled to introduce you to Yves Larock.
ANOTHER DAY FOR LOVE I’M FALLING FOR YOU
It’s great to have you here! I’m eager to hear your story. What led you to pursue music, and what inspired your journey into DJing and producing?
Hello, thank you for your interview. I started making music at the age of 12 or 13, specifically rap. Being from Switzerland, music was just a hobby for me since no one around me made a living from it. I had a job for many years but continued making music because it was my passion, never really thinking I could make a living from it one day. However, in 2004, I was able to quit my job and live off my passion. Regardless, I would have continued making music even if it hadn’t worked out. I am inspired by so many artists and musical styles that it would take too long to list them all.
Congratulations on the release of “Another Day!” Can you share with us the inspiration behind this track and what makes it special to you?”
What is special about this track for me is that it was very hard to bring to life. I composed it about four years ago and tried around fifteen different versions, but I was never satisfied. So, I put it aside and came back to it six months ago, and then… Eureka!
You’ve had immense success with tracks like “Zookey” and “Rise Up.” How does “Another Day” fit into your evolution as an artist?
Electronic music is continuously evolving, and I listen to everything that’s being made. This forces me to learn and surpass myself, as there are so many young producers who are incredibly talented. They push me to evolve in my music and as an artist, and I love that.
Collaboration is key in the music industry. Can you tell us about some of your favorite collaborations and what you look for in a musical partnership?
Music is all about sharing, so collaborations are essential. I can collaborate with other producers, young musicians, or even sound engineers. However, there are so many that I can’t specify just one in particular.
With over 225 million views on YouTube for “Rise Up,” how do you feel about the enduring popularity of your earlier hits in today’s music landscape?
I am always amazed that people love this track; it’s requested at each of my sets. Even the new generation appreciates it, which is a mystery to me. Perhaps a simple song with a positive and sunny message is the key to longevity.
As an artist who has performed worldwide, what have been some of the most memorable moments or experiences in your career so far?
I’ve had so many great moments in my career that it’s hard to choose just one. There has been so much good energy in clubs, but I really enjoyed my performance a few years ago at the Salvador Carnival. I played on a truck that moved through the crowd with all those people dancing. It was magical.
Your early career began with a residency at a Swiss club. How did this experience shape your musical style and career aspirations?
I started by making intros and learning to understand the dance floor. It’s truly the best school to start in small clubs and at the bottom of the ladder.
Your music often incorporates elements of house, reggae, and world music. How do these diverse influences shape your creative process?
I started in music with hip hop, so I listened to a lot of soul, funk, and reggae. When I moved towards house music, I brought my influences with me. It was particularly through certain encounters that I was guided towards various styles for my productions.
You’ve performed at major music festivals worldwide. What are some standout moments or performances that have defined your live career?
I have played more in clubs than at festivals, but it’s true that festivals have a much larger crowd, and you can’t lower the intensity. In clubs, however, you can take people on a journey and see their reactions directly. But every festival and performance should help us evolve.
You’ve ventured into composing for brand campaigns and managing your own label. How do these roles influence your approach to creating and releasing music?
I make music to be free, and having my own label allows me to release whatever I like without constraints, just to enjoy myself.
I noticed you’re a member of Africanism All Stars. I’d love to hear more about the project and the impactful work you’re involved in there. By the way, Paris holds a special place in my heart as my favorite city in the world!
When Bob Sinclar heard my track “Zookey,” he wanted to make a remix of it. At that time, I was new to the business and I loved what Bob Sinclar and Africanism were doing. So when he asked me to be a part of it, I was more than honored. This opportunity clearly helped boost my career. And Paris is The City of Light.
Social media plays a big role in engaging with your fanbase. How do platforms like Facebook and Instagram influence your interaction with fans and the music you produce?
I won’t lie, I’m not very diligent on social media, but I find it incredibly valuable for directly connecting with people who listen to my music. You also get immediate feedback, whether positive or negative. Plus, it’s an excellent tool for reaching out to other musicians.
Are there specific headphones or equipment you use in the studio that differ from what you use during live performances? How do these choices impact your workflow and performance?
I always use the same headphones because I’ve gotten really used to them. However, over time, I’ve realized that it’s not the technique or the equipment that makes good music.
Beyond music, you’ve been involved in various creative projects. Can you tell us about your other interests and how they influence your music?
But I can’t say that it influences my music, although it definitely brings me peace. I even produced an album for her, without any limits, just to make her happy and to enjoy myself, without any thought of career or commercial success. It feels good.
Looking forward, what upcoming projects or collaborations can your fans anticipate from you in the near future? Can we expect another single or possibly an EP release this summer?
I’m releasing “Thrive” these days on Sub Religion Records, and for this summer, I’m starting the promotion of a track with Latino influences… “Bailalo.”
What advice would you give to emerging DJs and producers looking to make an impact in the competitive music industry?
With my limited experience, I find it harder to give advice because music isn’t an exact science. I would just say that people should enjoy themselves and follow what they love without compromise.
It’s been great chatting with you. We’ve covered a lot already, but I’m curious to hear more about you and “Another Day.” What else would you like to share about yourself as an artist and the inspiration behind your latest single?
I had a musical crush on the singer MARYNE; I’m a fan of her voice. So, when I had a magical vocal and a beautiful chord progression, I hope you understand why I took my time to achieve a result that satisfied me. But with music, I think we’re never truly satisfied; we always feel like we can improve a track. However, at some point, you have to say stop.
Thank you for your time today, Yves. In all of the interviews I do, I always give the artist the last word. Go.
I’m always grateful to people who take the time to interview me and show interest in what I do. So, thank you to you, and have a wonderful summer filled with dance and music.